Everything So Far

by Pinegrove

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hannyram
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hannyram Simultaneously scrappy & divine. Simultaneously earthy & angular.
Simultaneously in vibrancy & in darkness. PG holds multitudes in its seemingly contradictory binaries. ...really, I stan this band too hard. And also.. “End of summer and I’m still in love with her”. Just the best lyric. Autumnal youth in a (pine)nutshell. Living just outside the Pine Barrens, this band is in my blood (brother ampersand). Favorite track: New Friends.
Peyton Teeple
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Peyton Teeple Too many favorites on this album to pick just one. This album is beautiful in its entirety. Favorite track: Need 2.
mattaustin95
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mattaustin95 Pinegrove have a lot of feelings and now so do I. This collection serves as pretty much the perfect catch up for any new fans of the band. Favorite track: Over My Shoulder.
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1.
New Friends 03:19
2.
Angelina 01:41
washing windows with angelina i don't understand anything violent angles from side to side how'd you get so tangled up in my life? how'd you get so caught? how'd you get so tangled up? i love you like it's the old days when i could ask you anything how'd you get so tangled up in my thinkin? how'd you get so caught? how'd you get so tangled up?
3.
Problems 01:20
this is how i spend my life up singin old songs what if i waste my life up? & all my problems it's so stupid they're not even problems it was supposed to snow & it did for a minute but there's no distraction now or we could spend these years up on the phone but is that much better? it was supposed to snow but it didn't so there's no excuses now
4.
Need 01:50
it's a long way through the cold day why do i need besides what i recoil & lay beside/s why do i need that i drank too much she thinks i think too much what do i need that's not a part of me do i care about my brain remembering everything? i remember everything
5.
Overthrown 01:33
get out get on get overthrown get out get on get overthrown you lay you lay you seize the day don't you know i'm seizing slow
6.
do you wanna dance? fine. but do you remember when
 in your living room
 when we made some room & moved ourselves around in it?
 it's how my heart resumed.
 i got caught/ you got those caravaggio moves
 we had some good ideas but we never left that fucking room do you wanna talk?
 fine. i’ll talk it out with my dad
 it's always nice what he says
 he’ll have some good advice from something in a book he read
 if i did what i wanted then why do i feel so bad? would you like a drink
 while we wait for everything
 to get good again?
 we’re good at things & so are a lot of our friends
 we should all be rich & making moves like nancy kerrigan, yea i dont know what
 i’m afraid of
 but i’m afraid
 one day it all
 will fall away
 maybe i read that
 but still, let’s see
 if nothing else it’s an idle curiosity so would you like that drink?
 fine, yea i know. i remember that too
 in your living room, right?
 when we began to fight but then we both got confused
 then we were laughing & crying in awe of the size of the moon do you want to die?
 fine you’re right
 but i wonder what it feels like
 to stop feelin so alive
 what if we could wake up in five years and things’d be feelin alright?
 i wanna visit the future and dance in a field of light!
7.
Need 2 03:11
i'm out there's nothing here to care about what's that sound? what's that song about? it's nothing worth me sayin aloud so then why do i seem to need to? why do i seem to need to?
8.
Namesake 03:07
i’m misaligned misanthropy to pass the time this crooked jaw i’m always feeling awful i’m so ashamed yes that’s it i’m so ashamed & so is she i’m so awake the reverberating seam of daybreak the hem where night falls again is splitting into livid mistakes i’ve been tryin to say but these awful letters rearrange my name: my namesake look around these redundancies resound take this sound: how the architecture meanders oh my my i can’t get it off my mind your fingers curled: a contorted row of antlers are you reaching out to me oh god
9.
V 02:40
i’ve been avoiding the void but i can’t see the point were you talkin to me o, my eyes were closed i’m sorry when you talk in your sleep you draw me out from underneath take your hand in my hand bloodbrother ampersand & the blood will flow in the morning when my thoughts are flowing also you only know what you notice & no, you don’t know me. if you’re askin ‘how could I know’ then you don’t know me or if i want it bad enough broken branches in your eyelids & your iris: a violent violet if you could see me now!
10.
& 04:03
hand over hand i’m pulling myself together on this itchy couch again i’d pull you in but i couldn’t help thinking or my mouth was tarpaulin let me start again: i didn’t mean to say so much about my plans so you see my hand (see?) it’s never either/or now stigmata ampersand the morning is the self it’s self evident: a clattering of blinds: a mimetic wind: a sympathetic tremor I’m a tessela of signs o I close my eyes &: fractal inner rings of varicose resign! coiled dark inside i’ll open my eyes and clear my throat when I know it’s time: AAAAAAAAAAAEEEEEEEEEEEIIIIIIIIIIIIIIIIIIIIIIIOOOOOOOOOUU AA OOOO & && &&& &&&& &&&&& &&&&&& &&&&&&& &&&&&&&& &&&&&&&&& &&&&&&&&&& &&&&&&&&&&& &&&&&&&&&&&& &&&&&&&&&&&&& &&&&&&&&&&&&&& &&&&&&&&&&&&&&& &&&&&&&&&&&&&&&& &&&&&&&&&&&&&&&&& &&&&&&&&&&&&&&&&&& &&&&&&&&&&&&&&&&&&& &&&&&&&&&&&&&&&&&&&& &&&&&&&&&&&&&&&&&&&&& &&&&&&&&&&&&&&&&&&&&&& &&&&&&&&&&&&&&&&&&&&&&& &&&&&&&&&&&&&&&&&&&&&&&& &&&&&&&&&&&&&&&&&&&&&&&&& &&&&&&&&&&&&&&&&&&&&&&&&&& &&&&&&&&&&&&&&&&&&&&&&&&&&& &&&&&&&&&&&&&&&&&&&&&&&&&&&& &&&&&&&&&&&&&&&&&&&&&&&&&&&&& &&&&&&&&&&&&&&&&&&&&&&&&&&&&&& &&&&&&&&&&&&&&&&&&&&&&&&&&&&&&& &&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&& &&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&& &&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&& &&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&& &&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&& &&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&& &&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&& &&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&& &&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&& &&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&& &&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&& &&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&
11.
Unison 04:14
i was warned about you but then, i was worn through then but then i let the sound in of torches along the path’s edge rustling in my eyes & ears our eyes & ears hours would pass & nothing all contorted in row these antlers don’t cut through nor do they tessellate with anything along where we’re walking cutting out & in & out & out & in again hours would pass & nothing i know you you know our bodies move in unison the answer’s within that i could be burning houses but i’m not. i knew you i thought our bodies moved in unison o lucile, i rescind that i could be burning houses but i’m not i’m not i’m not i’m not i’m not.
12.
Palisade 03:20
i don’t think this is where we end but i’ve got some things that we must attend to i’ve been indiscriminate but i can’t hide behind accidentals now, i’ve been saying somethings i don’t like but what else can i identify with? i can’t sleep i’m on them vines. i knew those easy days, long days, long aisles in between me. i’m living on easy line, blue vine, then i’m sick, i’m sleeping all the time. i said i’d be there so i’ll come & let you in o, it’s for you leo from across the meridian when i was over you my arms were trembling i said i’d be there so I’ll come & let you in
13.
the night my necklace fell off you fluttered through my capillaries like a stone moth i agree with your ideas but not your tactics so look me in the eye & be practical when practically there’s nothing left for me to say or do it’s only up to you a live ladybug trapped between my toes: keep it together man we’re all connected now stay composed i agree with your ideas but not your tactics so look me in the eye & be practical when practically there’s nothing left for me to say or do it’s only up to you the current picture: the metronome; i don’t know what this is but it’s not my home i thought that we were falling in love but we weren’t; only i was i agree with your ideas but not your tactics so look me in the eye & be practical when practically there’s nothing left for me to say or do it’s only up to you
14.
Mather Knoll 03:50
you said wake up when the curtains were movin out & in i said that might not be too far from the truth anyways i’ll buy you breakfast i’ll buy you medicine you’re calling me out you’re calling me in little thoughts runnin it’s not a problem it’ll come back i’ll get to hand shakin when I wanna i can’t be alone enough i can’t be alone enough walkin awful quiet i could organize my head: compartmentalizing it, starting out with our impediments i can’t have breakfast without you calling me! you’re calling me out you’re calling me in little thoughts runnin it’s not a problem, it’ll come back. i’ll get to hand shakin when i wanna i can’t be alone enough i can’t be alone enough! go back to the safe side go back to Mather Knoll go back to the safe side go back to Mather knoll
15.
quick shadow dribbling down me i'm looking over my shoulder justifying anything's easy like, you look when you hear a sound somebody once told me “loosen up your eyes because it feels nice” then no more on that subject i blindly led you on & me in the process thick pupil dilating quietly i'm looking over my shoulder just if i'm within the interstices then i'm looking for when you come ‘round somebody once told me “loosen up your eyes because it feels nice” but then no more on that subject i blindly led you on & me in the process don't ask how my day was, don't ask anything else (Where did all the time go? // Where'd you put my suitcase?)
16.
leanin in a dark room: a look alike james wright (when all my life I’ve been rejecting what will I say yes to?) what did I say yes to? i’d been cutting glass carefully & all my time was spent alone; i didn’t expect you what did I say yes to? what did I say? been talkin ‘bout you so much i’m talkin you away (what did I say yes to? what did I say? i’ve been talkin about you so much i’m talking you away) cookin up some mushroom in my kitchen tryna tell you about my month you’re only half-listening i know i never listen how can i? Your eyes bloom: slanted yellow in the blinds bleeding into a dark room// so how could i say yes to you? what should i say? i’ve been talking ‘bout you so much yea, what did I say yes to? what did I say? i’ve been thinkin ‘bout you so much i think I’m thinkin you away i'm opening it up now: What a plunge! What a lark! i'm picking all the seeds out i'm peeling off the bark i'm picking all the seeds out! i'm breaking it apart i'm opening it up now i'm peeling off the bark
17.
Morningtime 04:53
what if i went down to the pinegrove & didn’t find anything? what if i went past it, yet nothing in me sang? now i’m behind again because my bones won’t align that way some other time, in another life ever since “the archangel michael killing satan” i’ve been tryna capture both ends of the splinter: the visible part between my fingernails & the part still in my finger ever since I can remember since the day before they split i’ve been tryna capture some realm I don’t know yet you & i, we’re immiscible i’ve known it since we laid in the thistles & in the moments when i’m difficult you silence me in my revolt ever since 'i' since the moments when the night limped by & all of a sudden it was morningtime morningtime, morningtime
18.
Recycling 04:35
rolling on his back like an ocelot crawling on his stomach you make the lids stick together nothing really bugs me out nothing really bugs me tightening the slack on the millimeter tape trudging through your stomach i make the walls split forever nothing really bugs me out nothing really bugs me anymore anymore anymore anymore i've had enough now we're on the same page now we’re on the same page! circling the gap like you don't know what you hold drying out my knuckles you tucked it between the fold nothing really bugs me out nothing really bugs me recycling the cans at the center by the boxcars we've been carving little symbols in the bark nothing really bugs me out nothing really bugs me out so let it go: there's nothing I could tell you that you don’t already know!
19.
Sunday 06:11
i woke up it was saturday grey in the sky there’s nothing more to say on that i got up got out of my bed stretched my arms wide it’s time to let this fall from me it’s time to let it fall: i move through & just as soon my clothes are catching on (my eyes closed, lost in my room) i move through & just assume my clothes are catching on thorns but I’m bringing them with me bringing them with me call me on sunday call me! call me! call me on sunday i move through & just as soon my clothes are catching on i’ll come through, i always do when I’m movin i just assume my clothes are catching on thorns but i’m bringing them with me bringing them with me i never kept good touch but it’s alright, you never expected much
20.
On Jet Lag 03:36
don't tell me that the west has won we worked hard to reverse that notion closer than anyone, but we're not for each other, no i've got to crack my eyes to watch the wind blow Cat's Cradle is a fable, we all know that soon as i can i will slide that under the table i met your mother and you father & I liked them they bicker the way we bicker the way we bicker a black cat just snuck up on me activities and distractions are my remedy you're writing by lamp light, you're writing by the moon rise a stark contrast to the Montclairian buzz skies Cat's Cradle is a fable, we all know that Soon as i can i will slide that under the table i met your mother and you father & i liked them they bicker the way we bicker back when our blood was thicker than oil & the soil was in every spark & every pore & everything my departure made my nerves sting it's leaving a person place or thing you know you shouldn't on jet lag: i'm past that plainly, none of this is that bad he said, 'let me be clear this woman's crazy' i caught a glimpse of your truth as you turned to me & it was kind & it was stubborn, just like i'd like mine to be so i will dissuade, i will just sleep i can be patient, probably
21.
DAYS 04:25
i'm in bed for days with a toothache i've been dead for days oooo in the summertime oooo when i'm so inclined i'm in bed for days with a toothache i've been dead for days oooo in the summertime oooo when i'm so inclined oooo you're that jagged line you're my heartbeat you're my heartbeat! i flip the on-switch i mark where i tread! i put the sand in my i put the sand in my bed!

credits

released November 20, 2015

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Pinegrove Montclair, New Jersey

Management:
Tom - tom@castiron-mgmt.com

PR:
US: Chloe Walsh- chloew@grandstandhq.com

UK:
Jamie Woolgar- jamiewoolgar@roughtraderecords.com, Ben Ayres -benayres@roughtraderecords.com

US booking:
ghorbal@apa-agency.com

International booking (except North & South America): jamesa@freetradeagency.co.uk & ed@freetradeagency.co.uk
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